I’ve been listening to David Copperfield, read by my favorite audio book reader, Tadhg Hynes. (Tadhg is pronounced like the first syllable of tiger.) It’s a long book—1.3 days, according to iTunes—so I’ve been listening for quite a while.

While I listen to Dickens’ yarn, I spin yarn of my own. It’s amazing what I’ve accomplished in less than 1.3 days (I haven’t finished the book yet).

Merino on the wheel

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A long time ago (in this galaxy) while I was taking a Shakespeare class in college, a friend gave me a birthday card with a picture of Garfield—dressed in Elizabethan-type garb and holding a drumstick—on the cover. It said, “To party or not to party?” Inside it said, “That is a stupid question.”

Last night my please-drown-me-in-sleep Kindle game, Thread Words, sent me an unsubtle message.

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One thing I’ve learned about design is that uniformity can sometimes be boring. You might say perfection is boring. (Is it even possible to be perfect in artwork? in anything?)

When I’m designing a pin loom square pattern I often have to struggle with interest vs. uniformity. Clarity usually carries the day. Sometimes uniformity is your friend. Usually a motif looks best if it’s centered in the square. Many designs look best if mirrored on both halves of the square.

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I miss my blog. I miss writing about Pin Loom Weaving here.

Full to bursting—my box of PLW patterns

Over the past few weeks I’ve invented a large number of pin loom weaving patterns and I can’t show anyone other than my husband who, though a gentleman, is not especially interested in weaving and—like someone who hasn’t “been there, done that”—can’t fully appreciate the aggravation and mental-and-emotional-wear-and-tear devising patterns can have on one. Read More →