Last year I discovered the Loomette around the same time as the Weave-it, so I bought one. Then I bought another one . . . two . . . Somehow along the way I acquired four of them. Early on I realized the Loomette was superior to the Weave-it when it comes to two-layer warps (which I think are tricky). Loom prep is more straightforward. While two-layer warps are not my specialty they’re the obvious choice if you want total freedom when it comes to warp thread manipulation.
It’s not as if anyone was hounding me to make a video of this particular technique, but I wanted to because it will save me time describing it. I really hope it will be helpful.
Technique is shown on a Loomette loom.
The pattern is HORIZONTAL Xs, Variation 1
Row 1: Plain (P)
Even rows: P-2; U-3, P3 (4x); U-3, P-2
Odd rows: P-5; O-3, P-3 (3x); O-3, P-5
Row 16: P
On the Facebook group I belong to, someone asked a question about using bulky yarns on the pin loom. I happened to be the first person to see the post, so I answered as best I could. Up till then I had little experience using different types of twisted matter on the Weave-it.
2014: September, October, November . . . Frequent visits to Amazon kept bringing up a particular product–Margaret Stump’s book, Pin Loom Weaving.
Who’d ever heard of pin loom weaving? But that folk art horse on the cover captured my interest over and over. And I don’t even like horses. I mean, I like ’em all right, but I wasn’t a horse-mad child. To tell the truth, I never once noticed the square thing at the bottom of the photo.
“You buy too many art books because of the cover,” I told myself. “Too many. Just say no to this one.”
Week after week: “Just say no.” “Walk away.” “I promise if you swim back now, no harm will come to you.”